Stereo promos were produced from four lacquers: E, K, AC and AE. I bought all the MOFI releases and Love them, the Analogue productionsMiles davis Mono releases and Now I need a good KOB copy. Hopefully I can find one to buy on Record Store Day. Kind of Blue Stereo promos leapfrog the expected alphabetic progression jumping fromE (5th cutting) to AE (16th cutting). It is very dynamic and seems a bit goosed on the high end. I suppose that is a personal preference. This could be a quite desirable source for early pressings. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis Looking at theYouTube video and write-upon HD tracks and on the sister site: http://www.audiostream.com/content/miles-davis-kind-blue-again. Although for current mono reissues they are using the stereo fold down because the mono original is lost. The number of channels used while recording and listening to audio is the primary distinction between Mono and Stereo sound. Has anyone compared the Sony's Miles reissues to MoFi's? Kind of Blue mono promo jacket codes 2 (NY), 4 and 6 (IN). The difference between mono and stereo is the number of channels that they send to the speakers. Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. At 1D on both sides, Side 2 was found in both correct and incorrect track listing order i.e. Hope that helps. Take that away and things work quite differently in practice. Even *if* Macero had been involved, any changes he would have made would have been at the mix stage, not the recording stage. Symmetrical (1A/1A) and sequential pairs (1A/1B) are actually a quite rare occurrence. The Radio Museum website lists several Hoffman consoles from 1959 which is a plausible year for one of the early stereo "two-box" style consoles. And those tapes likely cut a lot of lacquers. Not just the LPs, but the CDs, cassettes, reel to reel tapes and MiniDiscs, Sound engineer Mark Wilder, who made this discovery in 1992, then corrected it using the backup three-track stereo tape for the subsequent remastered reissues. 3D-imaging and the wide, deep soundstage are eyebrow-raising; these Davis mono remaster titles sold me on other mono remasters, and rival (IMHO, to my ears) the Columbia/Legacy 180g six-eye stereo remaster I bought last year. I have several stereo copies of this record, my preference is the Classic Records1995 issue. Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog Planet Exclusive! The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. There is only one Mona Lisa and there is only one "The Starry Night".you may really like you're reproduction or lithograph, you can argue it's pros and cons over other versions, but just know it's not the original. A surprising number of audiophiles don't even know what is the difference between mixing and mastering, let alone how a well-recorded album differs from a well-mastered one. I guess I'll buy the MOFI 45RPM version as well, but now fremer got me into the MONO version. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more. Once I got past the noise in the outer grooves (I cleaned it again) I found myself going back to the first time I heard it. None of these letters ever appear at any later date up to modern times. Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. I grew up in the mono era. Unfortunaltely everyone is issuing the same LP's and no does a review comparing them all. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. If you are familiar with any DCC audiophile releases, then you already know Steve. Though many different permutations eventually occured, almost half of all mono copies were pressed from only three laquers: D, J, and AE. Each lacquer is merely one cutting from the first master tape mix, all manufactured at the same time. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. And Crosley, maker of the cheap, groove chewing turntables is a participant. They all sound good but the SACD is sublime. A must have! cwitt1980, 2 minutes ago. All Blues is a series of five scales, each to be played as long as the soloist wishes until he has completed the series. The stereo presentation revealed more air, more detail and more sheer life than the mono. Best Sounding Version of Kind of Blue - Steve Hoffman Music Forums The mono tapes have gone missing. For a better experience, please enable JavaScript in your browser before proceeding. I believe that would be earlier. This is relevant to this thread because I'd like to pick up the Sony release of KOB. So, typically: XLP12345 1A, Five digit recording serial number, followed by a hyphen. (You must log in or sign up to reply here. I'm not going to write about the modal music here. No other letters were found. The greatest issue of this album on vinyl. The 81 is the only mono Pepper that impresses me. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. The price seems a little high to me but I have no idea of the quality or condition of this console. Miles Davis Mono or Stereo? : r/vinyl - Reddit Conventional wisdom is no guide to what actually happens, Postscript Technical Appendix the data. It sounds like a microphone that is being over-driven. For some records, possibly. Milestones was manufactured through a similar process as Kind of Blue . The new 24/192k mix is very good !! The Holy Grail, Kind of Blue, six eye stereo KoB 3. By the early 60s, Columbia pressed vinylat several pressing plants of their own (and possibly made use of many others). Both run just under ten minutes and, since they are allotted an entire 12 inch side each, there is potential for wide groove spacing and superior sound. Every tape machine in a proper recording studio is calibrated directly before the recording session to make sure it is performing to spec using alignment tapes and an oscilliscope. Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. The Law of Diminishing Returns another unproven Hi Fimaxim, LJC home recipe for vacuum record cleaningmachines, Blue Note recordings and pressings: best audioquality, Blue Note Records: Complete Guide To The Blue NoteLabels, Blue Note labels: 1500 series, alltitles, Blue Note covers: company addresses andchanges, Blue Note covers: spine, lamination, and companyaddress, Blue Note recordings: mono, stereo,pseudo-stereo, Blue Note recordings: transition from mono tostereo, Blue Note recordings: date of session andrelease, Blue Note vinyl: flat, beaded, serratededges, Blue Note typography: fonts andtypesetting, Blue Note originals without the Plastylite ear, Blue Note Records: the Liberty era,1966-70, Blue Note Records The United Artists Years1970-79, Division of United Artists ReplicaSeries, Blue Note Records: the EMI era, 1979 to presentday, Blue Note guides: Dottorjazz guide to 1stpressings, Blue Note guides: LJC 1st presschecklist, Blue Note catalogue: 1500 serieslisting, Blue Note catalogue: United Artists BN-LA serieslisting, Blue Note Catalogue: United Artists LT serieslisting, Atlantic First Pressing Guide Part 1-Mono, Atlantic First Pressing Guide Part 2 Stereo, Columbia Matrix Codes case study: Kind ofBlue, Covers: frames and text, and coveraddresses, Contemporary labels by title, complete referenceset, Contemporary covers by title complete ReferenceSet, Prestige and Esquire covers, side byside, Esquire 12 32-000 series covers complete, Esquire catalogue number by Prestigenumber, Esquire Cover Art Gallery personalcollection, Impulse! I've got both. Kind of Blue was recorded in both mono and three track stereo at Columbia's 30th St Studios. Kind Of Blue Ravnsborggade 17 DK-2200 Copenhagen N Denmark kindofblue@kindofblue.dk phone: +45 . Melbourne, Victoria. That's a killer disc all right, and the 5(3).1 is a wonder to behold. None were found 1A,1B or 1C, ( which are found only on the commercial release). Kind of Blue - Rate Your Music Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Green Dolphin Street was recorded just before the Kind of Blue sessions and features the same line up John Coltrane tenor sax, Bill Evans piano, Jimmy Cobb drums and Paul Chambers bass. Discussion in 'Music Corner' started by Adagio, Jun 27, 2021. Rest assured, what you are hearing is what was recorded. Enter the length or pattern for better results. So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). The stereo is better seperated. Many processes today are managed by computers, which have sequential logic built in. In all likelihood they simply canned the misprinted labeland replaced it with a fresh print-run, as Macero requested. Or are they some digital combinaison? You have no way of proving whether their opinion is biased or not and your own opinion of them possibly being biased could be claimed to be biased in itself. Flamenco Sketches), US first commercial release six eye label -Stereo, Early vs later pressing Side 2 stereo initialtrack listing error. A 1st cutting; B 2nd; C 3rd; D 4th;E 5th; F 6th; CBS overprint non-DG illustrated below (1962/3). Create a free website or blog at WordPress.com. I'm happy that people you know upgraded but my fear is that many young people will hear their vinyl degrade and then lose interest. It's not hard to find a reasonably priced version of most things, but given the amount of pressings, remasters etc of Kind of Blue - it's a f***ing minefield. These identifiable early stereo pressingsare pictured below. I have attempted several DSD transfers of the mono original however despite having a mint copy, its plagued with the low level surface noise that seems common among original 6 eyes that came in the dreaded plastic inner bags in those days. Those who have recognized it have shared many wild theories. Yes, its not as ethereally spacious, but it better layers and balances the instruments in my opinion and if you remain unconvinced that mono can produce three-dimensionality, this record will convince you. They occur in similar offset mirrored pairs: E/K, K/E, AC/AE, AE/AC. I'd say 4th pressing since 1A,B,C were first pressings (A to NJ, B to Indiana, C to CA) and so D,E,F, would be second press, G,H,I would be third and J,K,L would be fourth (etc.). The Hollywood plant (located at 8723 Alden Drive from 1948) also closed some time in 64 when Santa Maria became fully operational., All lacquers cut are numberedin a standard matrix codeformat,stamped into the vinyl land lacquer between the grooves and label. Miles Daviss spiralling, restless trumpet on Freddie Freeloader and its seesaw insinuation on All Blues, Bill Evanss delicate, meditative haiku of a piano in Flamenco Sketches, Coltranes silken, slithering tenor lament on Blue in Green, Paul Chambers low, slow heartbeat of a bass, the soft, considered percussion of Jimmy Cobbs drums and the pulsing tick of his cymbals are all immaculately rendered. Usually this meant speeding up the playback to keep things sounding tighter.he usually did this by wrapping the capstan of the machine with thin splicing tape. One of the quirks of jacket manufacture was the code used by the giant fabricator Imperial Packing, Indianapolis, changed according to the pressing plants it was supplying 4 for US Central (Terre Haute) and 6 when supplying West Coast (Hollywood). I caughtone seller claiming he had a 1A/1A in the auction headline which later in the description expanded to 1AC/1AE. Another waxed lyrical over a 1A/1B six-eye stereo RARE! During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). Another fifteen lacquers contribute to the final tally of all those found. The most frequently occurring matrix code on mono pressings is D, which was also used in manufacturing promos; after that, AC, AE, and AJ. Press operators at this time have stressed that their two priorities were to ensure Side 1 and 2 were correctly matched, and that the labels were completely dry. They are all potentially the first. Miles Davis - Kind Of Blue Vinyl LP Review And Comparison - YouTube Promo Cover Fabricator (update April 13, 2020). The Mono Box from 2009 was not cut from pristine LP masters. It pretty thoroughly answers your questions. The lacquer code can in theory be matching both sides (1A/1A), but if two lacquers were supplied to a plant, four Side 1/ Side 2 permutations are possible: 1A/1A, or 1A/1B or 1B/1A or 1B/1B, depending on which lacquers came to hand when being mounted in a press. I just got the 2LP Classic Records stereo today and have had the blue 50th so I'm anxious to see how this compares. Where a piece published after 26th October 2012 appears which is linked to this activity, the text will be followed by the following symbol:(pp), Website styled by Richard Bateman using the Broadsheet Theme for WordPress, London Jazz News Logo designed by Mike Lloyd @Yellow Design, As regards liablity for consequences of any action taken in response to information provided on LondonJazz, we adopt, All original content on these pages is fingerprinted and certified by. One of the interesting discoveries made in 1992 when the tapes were first exhumed, was that Side 1 of the stereo issue, consisting of the tracks recorded at the first session, So What, Freddie Freeloader and Blue in Green, had been playing at the wrong speed since 1959. Well.the mono has been the rarest version of Kind of Blue. When KOB was originally recorded, Columbia ran simultaneous mono and three-track stereo tape recorderstwo each, one of each being for safety back-up. Once it's released, you can't go back (I am talking to you George Lucas). That is not really being "in the studio with the group". Regarding the mono edition, it can be argued thelacquers used to generate promos are the genuine first pressing, then 1A,1B and 1C and a handful of 1D among the very earliest commercial release copies, evidenced by the presence of the Side 2 label track-listing error. The original mono LPs did not have this problem because they were cut from a different tape from a different recorder. I don't hear it throughout the record. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. Those "pre-mixes" were specifically intended to blend together in the end into a single mono track. Mix - Miles Davis - Kind Of Blue Vinyl LP Review And Comparison What Version Is The Best Miles Davis, John Coltrane, Cannonball Adderley, and more Miles Davis - Kind Of Blue (FULL MONO LP. Both mono and stereo six-eyes with a uniquely Canadian touch. CD 37th; CE 38th; CF 39th; CG 40th; CH 41st; CJ 42nd; But just to make it crystal clearTao has gone on record many times to state he was always futzing with the speed of Miles's tracks to make sure the "groove felt right". Condition: Used. A few other sharp-eyed KOB sellers noted T stamps a TA/ TB permutation, and a TB/ TC permutation. 5 Modern Album of Terre Haute, IN When I tell them its mono, they just shake there heads in disbelief. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. It may not display this or other websites correctly. Instead what you got were three islands joined together with added reverb. Analog Planet is a Stereophile owned Web side and as such cannot be trusted for an unbiased opinion, i.e. Light VC, but there. Perhaps the always moving, always restless Miles, never bothered to listen or simply didn't notice. kind of blue mono or stereo hoffman I listen to critics and online commenters whose point of view I can understand. DE 49th;ad infinitum. In line with Conventional Wisdom, first pressing on mono starts A, B, C, and (some) D, after which it is a veritable free for all, mix and not match. In the early days of "stereo" the mono mix especially of popular and rock music) was the one that got the most attention. If so, you bought a different version. HARRY T BOOKER Mister Is Blue MONO/STEREO 45 Promo Rare Soul WB. 1B/1B, 1B/1C, 1B/1E, 1B/1H, 1B/1J, 1C/1D, 1C/1F, 1C/1G, 1C/1H, 1C/1J, 1D/1AC, 1D/1D, 1D/1E, 1E/1D, 1G/1H, 1H/1L, 1J/1B 1AA/1F, 1AA/1G, 1AD/1AF, 1AE/1AG. I own this one along with the 1997 re-issue and a 35DP-62 Japan for US. With 1D (different printer and pressing location?) The mysteryis the missing lacquers the nextletters which never appear on any side of any monocopy of Kind of Blue: E, F, K andL. None appear in the auctions sampleor the reader survey. P.S. Have a look. Around a quarter were code 2 (Brooklyn) , three quarters are code 4 (Indianapolis) and just one 6, (also Indianapolis when supplying jackets to West Coast pressing plants). Macero wasn't even in the same time zone during the second KoB session; he was in LA producing Dave Brubeck's Gone With The Wind, his first production. It's probably the best selling jazz album ever, and like Pink Floyd's Dark Side of the Moon is likely to remain in print forever. A lacquer includes Side 1 and Side 2. Since I was just listening to this new reissue from Sony on mono, I thought I would revisit Mikey's writing about it. However, compared to my later "6-eye" 1AJ pressing, the reissue sounds far less "milky-cloudy" and far more transparent to the source, without veering off into the analytical. Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. It exists! Mostly these are high values like BC/BGand BH/BJ , close to the CBS overprint and transition to two-eye label (1962/63) where lacquers from the third cohort 1CA to 1CL begin to appear. Pink Floyd - The Piper At The Gates Of Dawn - Stereo vs. Mono? Does your copy say "Music on Vinyl"? Fortuitously, an error was made in the track listing of the Side 2 label. And sometimes each version has its own equally attractive but different qualities.
. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. Enter a Crossword Clue. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. Released 17 August 1959 on Columbia (catalog no. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. All Blues 2. Unfortunately, the Kind of Blue mono master tape no longer exists. Columbia US labels | LondonJazzCollector So can anyone recommend me which versions should I own ? Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. Either way he claimed that he hated the Sony releases. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? Or so Conventional Wisdom suggests. The 1981 has something that both my 1967 and 2014 lack despite the thin vinyl. Bridgeport (plant address: 1473 Barnum Avenue) remained in operation to the end of March 1964 (a luxury condo, called Columbia Towers, now are situated on those grounds). Unlike say Liberty and their West Coast distribution of Blue Note by copy tape and local re-mastering, Columbia ensured every plant had the same 1st generation acetate from which to manufacture metal parts locally, no grunt re-mastering 2nd generation tape Kind of Blue how they preferred it. The aboveexamples of1A 1B and 1C labels (note, always1Aas Side 2) each feature the two line bold album title. The stereo version, which they were very apathetic on, works to our advantage because they didn't use as much compression, they just turned it up and hit start! You can 'see' further into the mix and hear a clear delineation of direct and echo chamber sound as well as what sounds like 30th street studio room sound. [TR24] [OF] Miles Davis - Kind of Blue (Mono) - 1959/2013 (Jazz) I actually worked with Kind of Blue producer Teo Macero back in 2000, shortly before his death. I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). You are using an out of date browser. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. Dynamic range doesn't seem terribly reduced, more that the overall level has just been raised. Conventional Wisdom fails the Reality Test. Matrix codes found on mono promos, produced from FOUR lacquers: A G, D and H (UPDATE 30/5/21: one promo with 1A has just come to light, with track sequence error, courtesy of a reader. you'Ll find love for music, intimate relations, well made drinks, and the likes. A mono cartridge should not be used to playback a stereo record unless the manufacturer states that it has both horizontal and vertical compliance; however, a stereo cartridge can easily . The tracklisting sequence error went uncorrected on the jacket for a further three decades, though some sellers confuse the label error and the cover error suggest the error on the cover is somehow proof of original provenance. Is there anything left to say on the most popular and arguably greatest jazz LP of all time? I had the pure joy of borrowing a long-time friend's 6 Eye mono . See original listing. Stereo promos, like mono,dont follow any -1A -1B -1C patterneither; they are E, K, AC and AE. They should be booted out. How would playback be different? This was corrected (ie order reversed) on the label of commercial release pressings, at the instruction of Teo Macero, around November 1959. According to Steve Berkowitz, who, with engineer Mark Wilder, has overseen all of the Miles Davis reissues going back many years, both of the original 3-track tapes used in recent years to produce the SACDs as well as 2008's blue 180g vinyl 50th Anniversary Collection box set (which was poorly pressed on 180g with a lot of noisy non-fill, gee I wonder who pressed it? That said, they are BOTH fantastic. I assume Mo-Fi's KOB will be the new stereo mix. Early letter-denominated mothers and stampers were used to press further copies with the corrected label for Side 2. Have you read Fremer's review? I'll be grabbing this mono version! All Blues)and the track-list corrected, right(1. These recordings were made in what, '59? Click the answer to find similar crossword clues . If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. However, stereo tracks send two different channels, one for each speaker. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more, Question about Music on vinyl and Columbia/sony legacy, the speed "error" situation.is not an error or oversight. He is a true magician when it comes to breathing life into music. And remember: with limited tracks available in the early days of multitrack recorders, groups would record and fill all four tracks then mix those down to one track. ), the mono reissue is a necessity not an "add-on" option! It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. 1959, 2013 Columbia Records, a division of Sony Music Entertainment / Originally release 1959 / All rights reserved by Columbia Records, a division of Sony Music Entertainement. Nothing is sold at gun point. One was selling in the marketplace but asking a question about something for sale is apparently a 'conversation.'. The problem is that nobody knows what happened to the mono master tape. In afurther variation the word UNBREAKABLE under the catalogue number disappears. The Crossword Solver found 30 answers to "Kind of blue", 4 letters crossword clue. Apparently it is the one that Miles Davis actually approved and gave input on. If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? Kind of Blue, an Album by Miles Davis. No, by the time I got interested in old mono pressings, the price on Piper had gotten too high. This coming Record Store Day, November 29th, the label will release on vinyl. Miles Davis Kind of Blue (CD) Mono & Stereo Collector's Album - eBay I've had 3 different people reluctantly follow my advice to buy the Ryan K Smith mono mastered KOB pressing and it's now by far their favorite pressing. Nor are they sold at gunpoint. Been dying for a decent mono version of KOBE since I got into jazz about a year ago. I plan on making a home brew unit soon, $600 to do it right. I didn't realize Music On Vinyl was releasing this same version on RSD as the Columbia pressing. A plant didnt get the memo and carried on using old pre-correction labels. A limited number of lacquers/ stampers were used in pressing promos, Side 1 and Side 2 were drawn mostly from different pairings. the Amazon Associates Program via amazon.com. The three-track recording produced three distinct channels and nothing you could legitimately call "stereo". are they all analogue process only? The love and care taken by Music On Vinyl on this release even extends to the printing of the labels, which on these discs are a homage to the 1959 Columbia six eye design. The Sony reissues are louder than their MoFi counterparts. He claimed back then that sometimes they would vari-speed tracks slightly to change the tempo. See Promo Cover Fabricator new section below). Since neither mono tape surfaced it must be assumed they were repurposed or stolen. the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. The vinyl isnow secondand the SACD is third on the list (IMHO). starbucks red cup campaign; best practice interventions debriefing; toni cornell height; shafer middle school staff; who are lester holt's parents; lift up the downtrodden meaning; Yes, Columbia switched to the RIAA curve in the mid-fifties. Since the mono tapes apparently no longer exist, recent monophonic reissues (yes, some people do prefer mono) were created by mixing down the three tracks on the backup stereo master to a single track. My initial thought in reply to my questioner was the lazy answer, " it depends which you prefer" . The Beatles 1981 vs 2014 Mono Vinyl Thread | Page 6 | Steve Hoffman